CHRISTIANE AMANPOUR: So just as we rely on journalists to bear witness, we often rely on film makers to bring important stories to life. The Lebanese director, Nadine Labaki’s new film, “Capernaum” ...

This is a story you've never seen before. An international trailer has debuted for the film Capernaum, also known as Capharnaüm, from Lebanon. Directed by actress-filmmaker Nadine Labaki, the film ...

The Lebanese film Capernaum has been nominated for an Oscar. Arwa Haider looks at how some movies reveal stories of conflict and tragedy – through a child’s eyes. Within the first few minutes of ...

That poignant drama, “Capernaum,” follows a boy who runs away and winds up roaming the slums of Beirut shouldering a distressing responsibility. At its premiere at Cannes in May, the film received a ...

Zain (Zain Al Rafeea) is an abrasive, unkempt boy of either 12 or 13 years old. Neither he nor his parents quite know his age for sure. His parents’ neglect is only part of the reason why Zain wants ...

Tackling its issues with heart and intelligence, Labaki's child-endangerment tale is a splendid addition to the ranks of great guttersnipe dramas. There’s one liability however, and that’s the title.

Just nominated by the Golden Globes for Best Foreign-Language Picture, Lebanese filmmaker Nadine Labaki’s latest movie, “Capernaum (Capharnaüm)”, takes a unique angle on human rights abuses against ...

"I want to sue my parents." That's the most iconic line in this film. Sony Pictures Classics debuted a second US trailer for the film Capernaum, also known as Capharnaüm, which is Lebanon's Oscar ...

Sun, April 21, 2019 Published on Apr. 20, 2019 Published on 2019-04-20T22:49:58+07:00 hen Lebanese director Nadine Labaki was doing research for her film Capernaum, she interviewed many children ...

Lebanon has received its second Oscar nomination in as many years with film director Nadine Labaki making history as the first Arab woman to be nominated for the best foreign language film. Labaki is ...

Add Yahoo as a preferred source to see more of our stories on Google. Nothing in director Nadine Labaki’s first two pleasant but tonally inconsistent features, “Caramel” and “Where Do We Go Now?,” ...