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Operetta is like champagne—fun, fizzy, free of death or incest. In a new-to-Chicago production of Lehár’s The Merry Widow, Lyric Opera of Chicago tries to channel Viennese glitz into holiday cheer.
Ronald Hynd’s “The Merry Widow” has amazing legs for a story ballet created in 1975. Countless three-act productions from the 20th-century have not endured, but “The Merry Widow,” based on Franz Lehár ...
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