Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...

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If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...

Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...

“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...

We hope these will help create even the smallest shift to make things a bit more bearable. It’s okay to feel grief, anger, confusion, and to feel exhausted, unfocused, and unmotivated. Just like this ...

There is no singular question at the core of Mutu’s work. The artist has said, “The idea of clearcut binaries—African/European, archaic/modern, religion/pornography—I’ve never really believed in that.

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

But most images fall somewhere in the middle of the spectrum. Compare the way Sofia Warren draws herself and two others watching a performance (below left) to Guno Park’s depiction of two Museum ...

You’ve definitely met this lounge chair before. Its most classic form has two parts: a slightly reclined chair and a matching ottoman, both upholstered in leather and encased in a molded plywood shell ...

In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...