In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and ...

The subject of numerous controversies, she is defined by ambiguity, welcoming outcasts to the Church and provoking more imaginative approaches to faith.

Harvey’s frames portray a convergence of human and natural action, not to synthesize or balance the two but to show the possibilities when vision and composition amplify the magic of the natural world ...

In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...

“The destruction I saw there was astonishing.” A detailed account from a doctor who, during the brief ceasefire, spent nine ...

Pope Francis has long advocated for immigrants, refugees, and the vulnerable—but the Church, like other institutions, may ...

Aimee Semple McPherson took to the radio to spread the Gospel, but her mysterious disappearance cast a shadow on her ...

Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in ...

From the daily newsletter: as the Administration flirts with contempt of court, two federal judges are trying to uphold the ...

New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...

People who love Phish do so with a quasi-religious devotion. People who dislike Phish do so with an equal fervor.

Last year, for my birthday, my wife gave me a copy of “ I Remember ,” an unusual memoir by the artist Joe Brainard. It’s a ...