GLENN LOWRY: One of the overarching themes in Abramović’s work is the concept of energy. Energy that can expand and be shared between collaborators as well as between the artist and audience. In this ...
Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...
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An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...
“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...
We hope these will help create even the smallest shift to make things a bit more bearable. It’s okay to feel grief, anger, confusion, and to feel exhausted, unfocused, and unmotivated. Just like this ...
Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...
AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...
There is no singular question at the core of Mutu’s work. The artist has said, “The idea of clearcut binaries—African/European, archaic/modern, religion/pornography—I’ve never really believed in that.
In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
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