Rajasekhar and Ramya Krishnan reunite after 27 years for the Telugu remake of Lubber Pandhu, directed by Ani IV Sasi, with ...
The Monday box office painted a mixed picture. While Baahubali: The Epic and Roi Roi Binale slowed down after strong weekends ...
Baahubali The Epic dominates Friday box office with strong opening, Roi Roi Binale and Thamma continue steady runs in India ...
The Friday box office brought a grand cinematic clash. Baahubali: The Epic stormed ahead with a strong opening, Roi Roi Binale moved hearts with its final release, and Thamma continued its steady run.
The Raja Saab wraps up! Prabhas marks 23 years in film as Maruthi shares an emotional message. The movie releases on Jan 9, ...
For the unversed, Kantara: Chapter 1 serves as the prequel to the 2022 release Kantara: A Legend. Produced by Hombale Films, the divine saga rooted in Kannada folklore is near the Rs. 800 crore gross ...
Adding to the big-screen excitement, S.S. Rajamouli’s Baahubali: The Epic returns to theatres on October 31 as a single extended cut to celebrate the film’s 10th anniversary. The re-release promises ...
Ramya Krishnan stuns in a gothic avatar for Ram Gopal Varma's Police Station Mein Bhoot, joining Manoj Bajpayee and Genelia ...
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Box Office: Rishab Shetty's Kantara: Chapter 1 hits Rs. 200 crore mark in Hindi, emerges Super Hit
Harshvardhan Rane's film remains steady, nets Rs 1.50 crore on Day 15 Kantara: Chapter 1 (Hindi) Box Office 5th Tuesday: ...
As 2025 enters its final stretch, Bollywood finds its rhythm again while the South holds steady with grounded storytelling.
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Who is Bhoomi Shetty? All about the Kingdom actress starring as Maha in Prasanth Varma’s Mahakali
Mahakali, directed by Puja Kolluru, is all set to be one of the next installments in the Prasanth Varma Cinematic Universe (PVCU) after the Teja Sajja starrer HanuMan. The makers have now officially ...
Idly Kottu, starring Dhanush, was dubbed into Telugu and released on October 1st. However, the film turned out to be a damp squib, failing to attract both audiences and critics alike.
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