Forget Arcadian landscapes and Corinthian columns. Oliver Mears’s new production of Handel’s Semele remoulds Greek myth to a 20th century manor house where mortals are servants of Gods who lounge ...
Confronting the audience at the outset of Oliver Mears’ challenging new production of Handel’s Semele is an unappealing grate cover, the sinister purpose of which is only gradually revealed. The ...
The style that guides the creepiness, with an ominous fireplace central in Annemarie Woods’ pointedly chilly, unpretty designs, isn’t always there in the singing (Woods, incidentally, also designed ...
In the 35 years I've been going to Opera Holland Park, I've never been disappointed by the music, performances and sheer joy of being in the open air with accompanying local sound effects. The odd ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick Claus Guth’s entertaining and often sexy new staging of Handel’s opera-oratorio hybrid in Munich is a coproduction with the Metropolitan ...
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